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Pa-kua: Eight-Trigram Boxing (Chinese Martial Arts Library), by Robert W. Smith, Allen Pittman
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Originally published in 1967, Pa-Kua was the West’s first look into the esoteric Chinese martial arts. It has been a valued and sought after text ever since. It was put out of print in the 1970s, but since that time interest in the martial arts have continued to skyrocket. Pa-Kua gives an introduction to the little known mystical martial art from China, Pa Kua Chang (also known as Ba Gua Zhang), translated as "Eight Trigram Boxing". Smith describes its history, profiles its great practitioners and gives a series of unique exercises, illustrating the solo practice and their fighting applications.
- Sales Rank: #1564564 in Books
- Published on: 1990-07-15
- Original language: English
- Number of items: 1
- Dimensions: .43" h x 5.97" w x 8.89" l,
- Binding: Paperback
- 104 pages
About the Author
Robert W. Smith is one of America's great pioneers in the Asian martial arts and has written numerous books and articles on theses ancient fighting traditions. Smith is the author of Chinese Boxing: Masters and Methods, also available from North Atlantic Books. He lives in Hendersonville, North Carolina.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Pa-Kua book is good!
By Steve Solo
As a relatively new student of Pa-Kua, I found Mr. Smith's book to be a good introductory text to this wonderful and complex internal style. While he does offer a very good history of Pa-Kua, my only criticism would be that he has a bit too many pictures and not quite enough explanatory text for a book of this size. I would like to know more about the purpose of each movement and less images, since I don't think one can actually learn a martial art via a book alone,but I do think that one can glean valuable insights form the author's experience, and that knowledge, combined with a good teacher, can help one learn this fascinating art more efficiently.
8 of 9 people found the following review helpful.
Pa-Kua Chinese Boxing for Fitness and Self-Defense
By Bob Shackleton
First published in 1967, this book was the first English-language text about Pa-Kua Chuan ("eight trigram boxing," also spelled Baguazhang), a comprehensive system of self-defense from China. It is one of the three nei-chia or "internal" systems of martial arts, the other two being Hsing-I Chuan and the more familiar T'ai-Chi Chuan.
Mr. Smith, now retired, was a CIA analyst specializing in the Chinese economy and is also a leading scholar of Asian fighting arts. ["Asian Fighting Arts," which he co-authored with Donn Draeger, remains the single best comprehensive description of the entire range of Asian martial arts.] Mr. Smith moved to Taiwan with his wife Alice in the late 1950s to study the internal and external arts with their leading exponents, nearly all of whom had left China in 1949. [He relates many of his interesting experiences in another excellent book, "Chinese Boxing: Masters and Methods."] He was thus among the first Americans to study these arts with teachers who traced their lineages back to the teachers who codified them in the eighteenth and nineteenth centuries.
This text presents much of the material Mr. Smith brought back from Taiwan, including a brief history of the art and an illustrated description of much of the art's basic material as taught by Mr. Smith's primary teachers, Hung I-hsiang and Kuo Feng-sh'ih. The material covered includes eighteen basic exercises, twenty of the sixty-four linear forms, and the basic circling exercises. The book is thus an indispensable aid for anyone undertaking a serious study of Pa Kua, and also a very interesting and useful text for anyone engaged in almost any kind of serious physical discipline.
7 of 8 people found the following review helpful.
Reprint of the now classic book
By magellan
This is a reprint of the now over 30 year old classic that was the first book written by a westerner on this still obscure art. Pa Kua, or the "art of overkill," as it's sometimes called, is still much less known than its sister arts tai chi and hsing i.
After a brief into, some taoist philosophy (such as a brief explanation of the I Ching, and how it relates to pa kua), Smith gives a brief account of the history of the art before getting into the actual techniques. The introduction also includes some delightful stories about the adventures and exploits of some of the most famous masters.
There are two main basic technique sections, one presenting 18 basic movements, and a Forms and Functions chapter of 20 techniques shown with a partner that demostrate the applications. These include hand and foot strikes, traps, takedowns, and throws.
Smith then provides an excellent commentary on how to practice and some do's and don'ts. They're detailed, and at a high level of sophistication in terms of the theory, including much practical advice such as how to relax, how to breathe, how to prepare your mind, and so on. Another important point is that the pa kua techniques are not so much techniques in the traditional sense so much as concepts that manifest change according to the principles of the I Ching. If you understand these and internalize them then your progress will be great. The comments in this section are worth the price of the book by themselves.
Finally, the unique classical circling exercise is presented with a couple of variations thrown in the good measure. These are shown by Paul Kuo, one of Smith's teachers in Taiwan and a famous pa kua master who I had heard of for some years before I saw him demonstrating the form in this book.
I had just one or two final comments about this unique art. The evasive and circling skills of a true pa kua master are formidable and I once had the opportunity to spar with one and see them for myself. I being an advanced karate practitioner, and very big, strong, and fast at the time and the pa kua master being 20 years older and much smaller, I felt he was no match for me in terms of strength and that I had the advantage as far as "duking it out" and trading punches and kicks went.
However, I never got the chance to do that. The master would quickly disappear behind me as soon as I moved toward him. His evasive skills were truly a delight to see and I came away with a new respect and appreciation for this unusual art which is still rarely seen even in China.
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