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The Heredity of Taste (Tuttle Classics of Japanese Literature), by Soseki Natsume
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Still timely after nearly half a century, The Heredity of Taste is Soseki Natsume’s only antiwar work. The heartbreaking story of love shattered by the realities of battle reveals Soseki’s attitude toward the Russo-Japanese War of 1904–5.
With an introduction by Steven W. Kohl, University of Oregon.
- Sales Rank: #3898656 in Books
- Published on: 2005-03
- Original language: English
- Number of items: 1
- Dimensions: .31" h x 5.26" w x 7.92" l,
- Binding: Paperback
- 105 pages
About the Author
Soseki Natsume (1867-1916) is widely considered the foremost novelist of the Meiji period (1868-1914). Soseki wrote 14 novels, including Inside my Glass Doors and I Am a Cat.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Sadness About The Loss of Life & The Loss Of Individuality.
By Anna B. Paesler
This book is not as intense as Natsume's book, "Kokoro", which I read before this one, but it is a good insight into Natsume's opinion about war. The lack of intensity may be because he wrote this book in only eight days, and it is a short composition. However, Natsume does convey the sadness of the loss of life and the loss of individuality unequivocably within this book. The narrator has lost his friend, Ko-san, in a war, and his heart-sickness is conveyed emphatically by his repetition of variations of one sentence, "...Ko-san jumped into his trench, he has never come out again." He even ends the book with that sentence among his last paragraph. Also, Natsume laments the whole idea of war when he states, "War, when it does not kill people, ages them." Beyond the narrator's grieving of the death of his young friend, Ko-san, the narrator despairs the loss of individuality that war brings about. He stated, "...facing the shells that spat out of the guns and roared through the air, even the greatest of men like Ko-san was no longer apparent. He became as insignificant as a grain of soya in a straw bag." Although the narrator knows that his friend died due to the war, he bemoans "Ah, Ko-san! Where are you?" It is sad. The narrator is mournful for the mother of Ko-san, too, as Ko-san was her only child and never had the opportunity to marry his love interest, detailed in the latter half of the book, before he went off to war for Japan. Lastly, Natsume uses "Macbeth" to help illuminate his ideas at around the middle of the book, and this is probably from Natsume's time in England, where he studied great English authors of the time. Although this book is not as intense as Natsume's book, "Kokoro", it, nevertheless, is an interesting read to get to know Soseki Natsume, and war does produce "many deceased names."
1 of 2 people found the following review helpful.
Superb Soseki but Somewhat Superfluous
By Crazy Fox
Well, first things first, I'm not quite sure what the good folks at Tuttle were thinking when they published this book. Not that it's not a worthwhile title, mind you. Natsume Soseki was definitely one of the finest authors of the twentieth century, and any work by him is welcome; indeed, "The Heredity of Taste" is one of his more minor pieces but it too certainly has much that's interesting about it. However, it's already available by Tuttle, as one of three works included in one volume: "Ten Nights of Dream/Hearing Things/The Heredity of Taste", translated by Aiko Ito and Graeme Wilson. Despite the fine work that he's done so far in making much of Soseki's lesser-known works and memoirs available in English, Sammy Tsunematsu's translation here seems just a tad redundant. Both versions have their ups and downs, of course. Tsunematsu's rendering is sometimes a bit wooden and stilted, Ito & Wilson's a bit more flowingly natural and idiomatic, but Tsunematsu is often a bit more accurate whereas Ito & Wilson sometimes fudge things a bit. Pick your poison, I guess.
Perhaps in today's political climate (on both sides of the Pacific) Tuttle and Tsunematsu wanted to emphasize Soseki's attitudes to war as expressed herein. And certainly these are worth considering. To categorize this piece as "anti-war literature" (as Stephen Kohl does in the Intro) may perhaps be just a tad too cut-and-dried, but Soseki is very clearly evoking for his readers the dreadful costs of war in a serious manner at a time when hysteric triumphalism was more the norm. In a subtle fashion and with doses of typical Sosekian humor to sweeten the medicine dose, he uses his incredible skills as an author to make very concrete and palpable those ugly aspects of warfare its supporters would rather not consider: the loss of irreplaceable lives, the irreversible physical and psychological damage, and the leveling of human individuality and dignity. All of this in a way that is personal and genuine.
Still, this was all in the prior publication (which is still in print, last I checked) along with two other equally interesting works. That may be a better deal for your money if you're a Soseki fan, though if your interest is exclusively with literary treatments of the issue of war, then this little tome will do the trick.
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