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Japanese Ink Painting: Lessons in Suiboku Technique teaches beginners the fundamental techniques of suiboku, a form of Japanese ink painting.
Considered a type of Japanese painting known as sumi-e, suiboku adds water to emphasize the shading of black into gray in one brush-stroke. With origins in China and a spiritual basis in Zen Buddhism, this form of brush painting—expressing nature's colors through shades of black ink monochrome—has been enjoyed throughout the centuries in Japan as a hobby for the amateur.
This Japanese painting book offers step-by-step lessons with easy-to-understand explanations through nearly 60 illustrations. The numerous photographs at the end of the book, in addition to the works of great masters in the art of suiboku, include several paintings by the author's pupils to prove what the amateur can achieve through careful observance of instructions and patient practice. As the author points out, this book is designed for the beginner, and "even the amateur can learn by himself and enjoy suiboku as a hobby."
- Sales Rank: #312398 in Books
- Brand: Brand: Tuttle Publishing
- Model: 1704911
- Published on: 2000-08-01
- Released on: 2000-08-01
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x .30" w x 8.25" l, .61 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
Most helpful customer reviews
44 of 46 people found the following review helpful.
Excellent Introduction to Suiboku
By Cassie
This book is designed for beginners to learn the art of Suiboku; teaching about the tools used, the basics (inlcuding the four main traditional topics), and continuing with well-illustrated lessons. It even includes a bit of history. The book is well written, easy to understand, and does not 'talk down' to the reader.
While ink and wash painting did develop first in China in the seventh century, it was introduced to Japan by Zen Buddhist monks in the fourteenth century and evolved to differ somewhat from similar techniques in other parts of Asia (including those in China). Chinese ink and water is often more literal, depicting landscapes with realistic textures and details whereas Japanese ink and water emphasizes the soul rather than realism.
To seriousthinker, I appreciate your desire to set the record straight, but you are mistaken. Suiboku and Sumi-e are the pronunciations of the Japanese words for ink and water painting and Japanese ink and water painting does, indeed, exist. The techniques originated in China, but have evolved many characteristics unique to Japanese style just as watercolor painting in the west has evolved characteristics unique of watercolor painting as it originated in China. Yet, study of western watercolor painting would not accurately depict its origins in China just as study of Japanese ink and wash painting would not accurately depict its originis in China.
As for Nihonga, that is a very specific type of watercolor painting using colored mineral pigments called Iwa Enogu. It is yet another Japanese evolution of watercolor painting (which originated in China even before ink and wash painting). Yes, ink and wash painting originated in China, but Japanese ink and wash is not the same thing as Chinese ink and wash and the two should be studied as separate and unique. This book is a great place to start.
36 of 41 people found the following review helpful.
The Only Suiboko Book you'll need!
By D. Mandaro
This is the best book out there on the market,originally published in 1959,this book has remained a classic.You will be taken on an intriguing journey led by Ryukyu Saito.If your a beginner or an expert this book will be not only be your teacher but your friend which will patiently guide you in the Suiboko Technique.
1 of 1 people found the following review helpful.
Too much literature not enough technique
By Christina Debarros
Teaching means to empart knowledge. This book gives very little in technique and a lot in the reason for sumi-e. Example: it gives a new name and does not explain the reason for its use in place of "sumi".
How is the brush turned when making the trunk, or when making mum leaves. How much ink vs water to create the dry brush effect for the plum.
The author mud decide if it's the desire to teach or have ones name in print that is important.
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