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Geisha in Rivalry (Tuttle Classics), by Kafu Nagai, Kurt Meissner, Ralph Friedrich
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Geisha in Rivalry, first published as Udekurabe in 1918, has a secure place among Kafu Nagai's masterpieces.
Set against the backdrop of Tokyo's Shimbashi geisha district, a company of vivid characters play out their drama of illicit love, shady intrigue, and unrelenting rivalry. In the forefront are the geisha: some powerful and spiteful like the imperious Rikiji, some crude and obvious like the gaudy Kikuchiyo, some naive and pathetic like the heroine Komayo, and all engaged in finding a place for themselves in a world that offers no easy route of escape from their profession. Here, too, are the patrons of the geisha: the playboys, the actors, the successful businessmen, and the "upstart gentlemen" of late Meiji society. And here, again, are those who make the machinery of this world function: the geisha house proprietors, the teahouse mistresses, the actors' retainers, the servants. And, finally, here are the parasites of the demimonde, who live off its other denizens through guile and deceit.
Through this often sordid but fascinating pageant move the figures of the geisha Komayo, her lovers, and the women who conspire to steal them from her.
- Sales Rank: #1682409 in Books
- Brand: Brand: Tuttle Publishing
- Published on: 2006-08-15
- Released on: 2006-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.13" l,
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
About the Author
Kafu Nagai (1879-1959), one of the best known and most popular of Japanese novelists during the first half of the twentieth century, had a versatile career as newspaper reporter, bank clerk, university teacher, playwright, essayist, diarist, and lecturer on woodblock prints. His works are noted for their depictions of life in early twentieth-century Tokyo, especially among geisha, prostitutes, cabaret dancers, and other inhabitants of the city's lively entertainment districts.
Kurt Meissner, a German businessman and an enthusiastic admirer of Japanese culture, has resided in Japan almost continuously since 1906. He has translated numerous Japanese literary works into his native language and is well known for his promotion of Japanese-German cultural relations. Mr. Meissner was a friend of novelist Nagai. His collaborator, Ralph Friedrich, a resident of Japan since 1946, has translated two Japanese childrenAEs books into English and is the author of a collection of poetry.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Mean girls
By Zack Davisson
Apparently catty girls fighting over a popular guy knows neither the boundaries of time nor place nor social status. "Geisha in Rivalry" could just as easily be a hot new teen film, starring Lindsay Lohan as the naive new girl being manipulated and preyed upon by the more cynical seniors. Even when set against the elegance of the flower and willow world, these women of the arts are still just ordinary people inside, with hopes and ambitions and disappointments just like everyone else.
And that really is the charm of this book. The geisha here are just allowed to be people, and interact in a regular old-fashioned love/rival story, rather than serving as some great symbol of refined and mysterious Japan. There is almost no emphasis put on the job of the geisha, the endless hours of training, the various roles in the geisha house and the extravagance of rare mockingbird-poop make-up that gives them a special sheen. Instead, they are just human beings doing a job, not all of them happy with it, not all of them good at it, but all of them determined to make some go at happiness, by hook or by crook. Author Kafu Nagai has put forth a story that is far more Jane Austen than Kawabata Yasunari, more light-hearted romp than heavy-hitting classic.
The basic story has Komayo arriving on the Tokyo Shimbashi geisha scene, returning after a short break when she was married are taken to the countryside. Her husband dead and her marriage over, she returns to the only work she knows. Unknowingly stealing a client from another geisha, the established and imperious Rikiji, she sets herself in a position of retaliation, and the gears start slowly working against her. Others move about the scene, like Hanasuke, the second-place girl content to be in the background but still looking after her own interests, or the slutty Ranka about whom it is gossiped that she is little more than a prostitute painted like a geisha but is still very popular with the male customers. The prize for all involved is the handsome and popular actor Segawa, a somewhat fickle man who is content to watch the game unfold and see who emerges the winner.
The translation of "Geisha in Rivalry" is a little outdated, but does a great job of keeping the active and fun spirit of the original language. A few odd choices were made, like literally translating "maiko" as "dancing girl" instead of leaving it as it is or using the more common "apprentice geisha", but none of this interferes with the story. A short book at a little over 200 pages, it is still a great read and a refreshing perspective for anyone wanting to read about geisha, or just get involved in a fun catty story of a couple of pretty gals maneuvering for the top guy.
4 of 4 people found the following review helpful.
an old translation revisited
By San Diego reader
Just some background: This translation was first published in 1963. No doubt it has been re-issued to cash in on the fad for anything relating to geisha. A better (but partial) translation, along with a biography of the author and other translations of his works, appears in Edward Seidensticker's "Kafu the Scribbler" (pub. 1965 and still available), and was reprinted in 1971 in "A Strange Tale from East of the River, and Other Stories" (out of print).
3 of 3 people found the following review helpful.
Grief must lie at the heart of relationships between men and women
By Luc REYNAERT
Kafû Nagai's novels are a real living source of the `water trade', the shady world of the geisha quarter in Tokyo with its `high' and `low' houses, its bosses and accountants, its madams and `servants'.
His picture of the trade is melancholic. He sees through the white masks and the kimono glitter of the geisha professionals: `Once you became a geisha, no matter what you do, it's hopeless.'
Nearly all the geishas in Kafû's novels (all translated in French) chose this profession out of economic necessity (if they were not sold by their parents), as a means of survival.
The studies are extremely hard and expensive. They are financed by `investors' who want their money back as quick as possible. Geishas are saddled with huge amounts of debt before they can earn a living.
Therefore, they search desperately for a rich danna (protector) or outright for a husband, who can reimburse their debt and set them free. The rivalry for that kind of persons is fierce and without pity. It is a world where the `human touch' is a real exception.
But, for Kafû, it is the same the other way round: `People are saying that what's more important than her good looks is her big dowry.'
Kafû Nagai's novels excel by their subtle, impressionistic, colorful picture of a harsh profession, by his in depth search for the human faces behind the varnish and by their subdued atmosphere.
Not to be missed by all lovers of Japanese and world literature.
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