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The Way of the Brush: Painting Techniques of China and Japan, by Fritz Van Briessen
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The Way of the Brush: Painting Techniques of China and Japan examines the technique, style, traditions, and methods of Chinese ink painting and how they were interpreted in Japanese art. Illustrated with over 250 images and packed with instructions, The Way of the Brush covers every aspect of brush painting, from brushstrokes, composition and the painting surface to meaning, perspective and artistic philosophy.
- Part One is a study of the techniques of Chinese painting and explains the elements, techniques and principles which eventually carried over into Japanese painting.
- Part Two is devoted to technical challenges and basic problems associated with the art, including the issue of fakes and forgeries of Chinese art in Japan.
- Also included are three appendices and a full bibliography.
- Sales Rank: #431141 in Books
- Published on: 1999-06-15
- Released on: 1999-06-15
- Original language: English
- Number of items: 1
- Dimensions: 10.25" h x .90" w x 7.25" l, 2.35 pounds
- Binding: Paperback
- 332 pages
Review
"The most readable, the most authoritative, and the most comprehensive explanation of its kind to be published in many years. Indeed, it deservedly may be called unique." —Chicago Sunday Tribune
"Not only very thorough in matters of techniques, but unusually knowledgeable in regard to the subtle but supremely important philosophical ideas involved in design and composition." —San Francisco Sunday Chronicle
About the Author
Fritz van Briessen studied literature, art history, and philosophy at the universities of Heidelberg, Rochester (New York), Munich, Berlin, Giessen, and the Sorbonne. He traveled widely in Asia, and lived in Shanghai, Beijing, and Tokyo, where he served as Counselor of the German Embassy. He actively pursued a lifelong interest in Asian painting, including several years of intensive study with the Beijing landscape painter Pu Chuan, and possessed a unique insight into the art. Van Briessen lectured widely on East Asian painting in Europe and North America.
Most helpful customer reviews
56 of 56 people found the following review helpful.
Start here. Finish here.
By Pete Kramer
This is the best generally available book on Chinese and Japanese ink-painting in English of which I am aware. Why? Because it is not, primarily, a "how to" book. Yes, there are extensive examples of specific brushstrokes and characteristic forms and techniques, however they are by way of explanation and illustration, rather than instruction. There is much talk of history and aesthetics, but from a practical perspective; this is not, primarily, a book of art history or criticism. Rather, it looks at those things from the point of view of a painter, rather than an academic. While it's not an easy read, I would recommend this every bit as much for beginners as those with more experience.
So, why would this be useful for the beginning painter? While some authors would have you believe that Asian ink work is rooted in a spontaneous expression of feeling, and/or that a meaningful piece of art can be created with just a few, easily mastered, brushstrokes, these are extreme oversimplifications of the actuality of Asian art. Tossing a bit of ink on some rice paper may be spontaneous, but it isn't the same as the Spontaneous school of Chinese painting. In reading this book, which is admittedly dense and occasionally dry, the reader can gain a strong background in the traditions and aesthetics of ink painting. While learning basic brush control from a teacher or how-to book, "The Way of the Brush" will give you not just context and history, but an understanding of how to compose and construct a work -- how to put those brushstrokes together.
It could be said that this is not a book about how to paint in the Chinese and Japanese style, but how to look at a painting in the Chinese and Japanese style. In doing so, it also points the way towards seeing like a brush-painter. Unless you can see, not merely with your eyes, but with your mind, it is impossible to make the jump from brushwork to painting, from technique to art.
128 of 130 people found the following review helpful.
Excellent Chinese brush painting book!
By PurpleDiane
This is one of the best books about Chinese painting for those who want to understand not just Chinese painting techniques, but also something of the history and variety of traditional Chinese brush painting. The one drawback is the usage of the outdated Wade-Giles romanization (the book was first published in 1962), but that is merely a trivial annoyance compared to the wealth of information the author provides. Most instructional painting books are written by painters who focus on their own style, and give no credit to all the masters who have gone before them. This book shows many examples of paintings by master painters (ancient and modern), along with examples from the author's own teacher, master painter P'u Ch'uan. He thoroughly describes the different painting styles, with excellent examples, and many bibliographical references. I especially liked the fact that he gave 7 different versions of translations of "the Six Principles" of Hsieh Ho; by combining the common threads in all of them, their real meaning becomes clearer.
Another subject he talks about, although briefly, is the importance of understanding brush strokes in order to be better prepared to deal with forgeries and copies. This subject is almost universally ignored in books on Chinese painting, and yet it is very important. I have seen a painting in a catalog from one of the big auction houses that on first glance looked like another one of Li Ke-ran's many water buffalo paintings, and was attributed to him by the (anonymous) seller. Upon closer scrutiny of the brush strokes used, it was obviously a fake. And I am by no means a true expert.
If you are a beginner with no teacher to help you, then you will probably need other books, too. But for anyone who wants to learn about the history and traditions of Chinese painting, this is the ideal book.
7 of 7 people found the following review helpful.
Asian Painting Techniques
By Katherine Byrne
This is the second copy of this book that I bought. I purchased second as a gift for artist friend after buying one for myself. We are both painters; but, this is the type of book anyone can enjoy reading for its philosophy and appreciation of Asian art. A visual artist can learn much from the techniques of brush painting used in China and Japan. It is both poetic and visual.
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