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The Book of Tea: The Illustrated Classic Edition, by Kakuzo Okakura
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In 1906 in turn-of-the century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner. It was authored by Okakura Kakuzo, a Japanese philosopher, art expert, and curator. Little known at the time, Kakuzo would emerge as one of the great thinkers of the early 20th century, a genius who was insightful, witty and greatly responsible for bridging Western and Eastern cultures. Nearly a century later, Kakuzo's The Book of Tea is still beloved the world over. In this edition, readers are treated to Kakuzo's delicious wisdom along with evocative quadratone photographs in an exquisite new package. Interwoven with a rich history of tea and its place in Japanese society is poignant commentary on Eastern culture and our ongoing fascination with it, as well as illuminating essays on art, spirituality, poetry, and more. The Book of Tea is a delightful cup of enlightenment from a man far ahead of his time.
- Sales Rank: #1250581 in Books
- Brand: Brand: Tuttle Publishing
- Published on: 2000-10
- Original language: English
- Number of items: 1
- Dimensions: .78" h x 8.86" w x 8.91" l,
- Binding: Hardcover
- 128 pages
- Used Book in Good Condition
Review
"The Book of Tea presents an elegant glimpse into the culture that engendered the Eastern aesthetic." -- Spirituality & Health
"Beautifully written." -- Boston Globe
"More than any other book I have read, this one carries a feeling for the Japanese tea ceremony." -- American Herb Association
“How does one improve on a classic? Exquisite photography, a new thoughtful introduction, and expanded size . . . A perfect gift.” -- Tea Talk
About the Author
Okakura Kakuzo (1862-1913) devoted his life to teaching, art, Zen, and the preservation of Japanese art and culture, working as an ambassador, teacher, writer, and, at the time of his death, as the Curator fo Chinese and Japanese Art at the Boston Museum.
Liza Dalby has lived intermittently in Japan since she was a teenager. She is the first non-Japanese ever to have become a geisha. She received a PhD in anthropology from Stanford University in 1978 and is the author of several books, including Geisha, and the upcoming Tale of Murasaki.
Excerpt. © Reprinted by permission. All rights reserved.
THE CUP OF HUMANITY
Tea began as a medicine and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of aestheticism-Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.
The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristocrats in taste.
The long isolation of Japan from the rest of the world, so conducive to introspection, has been highly favourable to the development of Teaism. Our home and habits, costume and cuisine, porcelain, lacquer, painting-our very literature-all have been subject to its influence. No student of Japanese culture could ever ignore its presence. It has permeated the elegance of noble boudoirs, and entered the abode of the humble. Our peasants have learned to arrange flowers, our meanest labourer to offer his salutation to the rocks and waters. In our common parlance we speak of the man "with no tea" in him, when he is insusceptible to the serio-comic interests of the personal drama. Again we stigmatise the untamed aesthete who, regardless of the mundane tragedy, runs riot in the springtide of emancipated emotions, as one "with too much tea" in him.
The outsider may indeed wonder at this seeming much ado about nothing. What a tempest in a tea-cup! he will say. But when we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily drained to the dregs in our quenchless thirst for infinity, we shall not blame ourselves for making so much of the tea-cup. Mankind has done worse. In the worship of Bacchus, we have sacrificed too freely; and we have even transfigured the gory image of Mars. Why not consecrate ourselves to the queen of the Camelias, and revel in the warm stream of sympathy that flows from her altar? In the liquid amber within the ivory-porcelain, the initiated may touch the sweet reticence of Confucius, the piquancy of Laotse, and the ethereal aroma of Sakyamuni himself.
Those who cannot feel the littleness of great things in themselves are apt to overlook the greatness of little things in others. The average Westerner, in his sleek complacency, will see in the tea ceremony but another instance of the thousand and one oddities which constitute the quaintness and childishness of the East to him. He was wont to regard Japan as barbarous while she indulged in the gentle arts of peace: he calls her civilised since she began to commit wholesale slaughter on Manchurian battlefields. Much comment has been given lately to the Code of the Samurai,-the Art of Death which makes our soldiers exult in self-sacrifice; but scarcely any attention has been drawn to Teaism, which represents so much of our Art of Life. Fain would we remain barbarians, if our claim to civilisation were to be based on the gruesome glory of war. Fain would we await the time when due respect shall be paid to our art and ideals.
Most helpful customer reviews
13 of 13 people found the following review helpful.
a jewel by a giant
By Jerry Q. Winle
i read this book in preparation for participating in a japanese culture class for japanese 6th graders. i had heard of the book, but avoided it for a long time due to my assumptions about the book being just another new age-y trend that exoticizes "eastern culture".
however, when i actually sat down and delved into the book, i was thrilled. this little volume on tea is really a special book, for all the reasons other reviewers give and so much more.
but the book has become detached from its author, which is a shame, because okakura was/is a major figure in a very important period of time.
like today, the meiji period in which okakura lived was a time of extreme westernization in japan. okakura was a giant in the struggle to keep japanese culture alive, primarily through the arts. okakura was also one of the first and biggest presenters of japanese culture to the west. the book of tea is a fantastic example of the way in which cultures that are unfamiliar with one another's practices, mindsets, and histories can have meaningful exchanges without reducing the other side to exotic stereotypes. though okakura was japanese, this book was originally written in english soon after okakura joined the staff at the boston museum of art.
everyone should read this book. okakura's gem is much more a philosophy book along the lines of deleuze and guattari than it is a book about "tea" or "buddhism". this is a book that has no fear in treading into many different realms, and many of its cultural critiques of both "the west" and japan resonate profoundly in the today's world. it has been translated into scores of languages, including japanese. in fact, it is probably the japanese that would benefit most from reading the book of tea.
14 of 14 people found the following review helpful.
chajin
By A Customer
I loved this new edition and thought that the photographs were beautiful, capturing the essences of tea and giving examples( a rare thing) of actual tea implements. Unlike the reviewer who couldn't even leave a name who probably has no concept of the world of tea, I thought that the format also followed the ideals of tea by being contemporary and in the constantly evolving path of tea as given to us by Oiemoto (the current head of the Urasenke tea school). I enjoyed this book very much and have given several copies to my tea students and tea friends as well.
1 of 1 people found the following review helpful.
Brillant and beatifully written
By Robin Spencer
I bought this classic book of tea, thinking it was about... tea. It was, well the first half. But the last half had chapters on flowers, art and religion. Brilliant and beautifully written almost, well not almost, it was poetry. Written by a compassionate insightful man, I will never be able to look at flowers or art or interior design the same again.
A bargain at any price, but 99 cents from Amazon on my Kindle.
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