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Master the many styles of Wing Chun Kung Fu with this expert martial arts guide.
With the fame of Bruce Lee, the conditions in Hong Kong, and the hard work and effort of many of his classmates, the Wing Chun of the late master Yip Man became one of the most well-known and popular Chinese martial arts in the world. Although this gave Wing Chun international recognition, it also led to a lot of misconceptions. Due to a lack of authentic information, many mistakenly came to assume that the renowned Yip Man was the sole inheritor of the style and that his Wing Chun was the lone version of the art.
In fact, there are several different and distinct systems of Wing Chun. Unfortunately, over the years most of these systems have remained unseen or unreported to all but a few—until now.
Profusely illustrated with over 300 historical photographs, Complete Wing Chun: The Definitive Guide to Wing Chun's History and Traditions presents seldom seen information on a dozen branches of the Wing Chun art. It offers the reader side-by-side comparison of these arts by outlining each system in terms of Wing Chun history, principles, basics, and training methods:
- Yip Man Wing Chun
- Yuen Kay-San Wing Chun Kuen
- Gu Lao Wing Chun Kuen
- Nanyang Wing Chun Kuen
- Pan Nam Wing Chun Kuen
- Pao Fa Lien Wing Chun Kuen
- Hung Suen Wing Chun Kuen
- and more!
- Sales Rank: #961977 in Books
- Brand: Robert Chu
- Published on: 1998-06-15
- Released on: 1998-06-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .20" w x 6.00" l, .58 pounds
- Binding: Paperback
- 160 pages
Language Notes
Text: English, Chinese
About the Author
Robert Chu has been involved in martial arts since 1972, and is a practitioner of the Yip Man, Gu Lao, Yuen Kay-San Wing Chun styles. Mr. Chu's articles have appeared in Martial Arts Legends, Inside Kung-Fu, Wing Chun Viewpoint, and Wing Chun Today. His monthly column appears in Martial Arts Illustrated. Mr. Chu resides in California
Rene Ritchie has been studying Yuen Kay-San style of Wing Chun since 1990. His articles have appeared in Martial Arts Masters, and Wing Chun Today. He created and maintains the www.wingchunkuen.com website from his home in Eastern Canada.
Y. Wu has been involved in Wing Chun since 1984. He is a practitioner of the Nanyang and Yip Man Wing Chun styles. Mr. Wu is the author or The Nanyang Wing Chun Primer Vol. 1, and resides in Singapore.
Most helpful customer reviews
1 of 3 people found the following review helpful.
Every Wing Chun practitioner should read this book.
By Mingyuan Sung
Finally here comes a great reference book. Although I expect more detail information, this is a great milestone. I suggest every Wing Chun practitioner should read this book and have some insight about this martial art system. I hope to see more books from the authors in the future to show us more style pictures and training methods and maybe more true history. We should all thank the authors' effort to bring us this book.
12 of 14 people found the following review helpful.
Inadequate research & biased favor for Yip Man & Yuen KaySan
By A Customer
Without adequate research and candid comparisons, the authors are too hasty to claim that all Wing Chun schools are the same (p116 -- the three main boxing forms are fairly consistent in organization throughout the various styles; p117 -- All have, and none have.) Their statement appears to be made out of respect for the various schools. However, by ignorng the obvious differences in curricula and by generalizing the similarities of the three main forms, they are now ready to extol their practiced styles toward the end of their text -- the Yip Man and Yuen Kay-Shan styles (p118-120.) These two styles have been subtly positioned to be the standard of reference for comparative studies. Hence the differences found in other Wing Chun styles are ascribed to influences from non Wing Chun kung fu.
13 of 13 people found the following review helpful.
We need more books like this
By MR LIAM B KEELEY
I remember seeing an article, I think by Jane Hallander, in a martial arts magazine more than a dozen years ago, with an intriguing account of a Wing Chun type style called pao fa lien. I thought it an exceptionally interesting article, and it certainly made me wonder what other forms of Wing Chun were still alive in China and its neighbouring countries. To most Westerners, Yip Man's style has become the standard when it comes to Wing Chun, and so it was fascinating to learn of the existence of other branches.
Not only is this a groundbreaking book, but it could be the start of a new genre in martial arts books. What we have here is a fine compilation of information about no less than eight styles of Wing Chun and briefer mention of half a dozen others. The authors themselves are from diverse backgrounds and styles of wing chun, and I can only applaud their vision and maturity in working together to present such a wide range of information to the martial arts public. Very briefly, they are Robert Chu, resident in California, a practitioner of Yip Man, Gu Lao, and Yuen Kay-San Wing Chun styles; Rene Ritchie, of Eastern Canada, a student of the Yuen Kay-San Wing Chun style; and Y. Wu who resides in Singapore and practices the Nanyang and Yip Man Wing Chun styles.
Since most readers are probably more familiar with the Yip Man style, I'd like to focus on the lesser known styles in this review. You'll be glad to know that pao fa lien is one of the eight styles featured in this fascinating volume, and it was the first one that I turned to when I inspected the book. We are told that the art is composed of 10 empty-hand sets, four wooden dummy sets, and over a half dozen weapon sets. The three trademark empty-hand sets of wing chun, siu nim tao (little idea), chum kiu (seeking bridge), and bui jee (darting fingers), make up the basic level of forms training. While the weapons sets focus on the familiar (at least to wing chun practitioners) long pole and double knives, there are also other weapons such as the 13 section whip, the scholar's sword, the trident, and the Kwan dao. It seems that there are two varieties of sticky hands practice within the various wing chun systems, one resembling more the pushing hands of tai chi rather than the "rolling" sticky hands that are more familiar to most of us, and the pao fa lien system uses the "tai chi" variety.
Among the other little known styles is Nanyang Wing Chun, which, we are told, includes the three typical sets of wing chun, the wooden dummy training, and the typical weapons: the pole and the double knives. In addition, it has a number of other empty hand sets, one of which seems to indicate some kind of relationship between Wing Chun and white eyebrow boxing (Pak Mei). A fascinating insight was the mention of the so-called "separate techniques." In the Gu Lao style, no use is made of forms.
The founder, Leung Jan, passed his style on in the form of a 40 point system. We are told on page 47, that "One should not simply look at the 40 points as techniques, but as to teach the fighting skills of wing chun. When the basics are mastered, a student can then do combinations and permutations of the techniques while moving left and right, with high or low stances, at high, middle, or low levels, to the front and back, and/or while advancing or adjusting the steps. Advanced practitioners can reach the level of being able to change and vary their movements with empty hands or the double knives."
I find this emphasis on perfecting single techniques absolutely fascinating, and it fits in with what Adam Hsu has to say about the importance of perfecting single techniques in his new book, The Sword Polisher's Record, where he asks: "Is it necessary to learn forms?" We are also told in the section on Yuen Kay-San Wing Chun, that some previously "separate" techniques have been formalized into training sets. It makes me think that this movement of techniques from single, separate techniques into sets is the norm, at least in Chinese boxing styles, and would seem to indicate that most styles start with a group of separate techniques which then gradually coalesce into a set or sets.
While this book is probably of most value to wing chun and jkd practitioners, I hope it will serve as a model of more comparative studies of the often amazing variety within a single system. Two related styles from Fukien, Emperor Fist, aka Grand Ancestor Fist, and Five Ancestors Fist, and on the Okinawan side, Uechi-ryu and Goju-ryu, are prime candidates for this kind of study. We need more books like this.
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